SK1 / 2004

Creating a Tradition

Elisabeth Kristina Svanqvist

Play Street – Design for children in local environments

Jorunn Veiteberg

Hybrid Practice: A Craft Intervention in a Contemporary Art Arena

David Haley

A Walk on the Wild Side: Art Biodiversity and Climate Change in Spatial Planning

Kevin Atherton

The Digital Surface within Fine Art Practice
- A Research Project

Wendy Gunn

Learning is understanding in practice: exploring the interrelations between perception, creativity and skill

Kate Southworth

Articulating a Matrixial Space.
A paper outlining a collaborative audio-visual internet art research project

Bent Ekfeldt Olesen

Transformation of Baumgarten’s Aesthetics into Instruments for the Description of the Design Process. Guidelines for Designing and the Analysis of Works

Tom Eide Osa

Knowledge in musical performance
-enlightened by sources who discuss the articulation of knowledge.

Arne Kjell Vikhagen

Gadamer’s concept of play

Grete Refsum

Divided Crucifix – An Artistic Exploration of Cross and Crucifix Form in Relation to Contemporary Theological Knowledge

Stuart Mealing

Computers, drawing and the Feral Drawing Group

Aslaug Nyrnes

Artistic Research and Development (Artistic R & D) and Rhetoric
– an outline

A. Douglas, C. Fremantle and H. Delday

On the Edge: Practice Led Research into the Value of the Arts in Marginal Spaces

Joe Deal

Using the Tools and Language of our Disciplines:
Some Examples of Basic and Applied Research in Art and Design in the U.S.

Nina Malterud

Sensuous Knowledge – Knowledge that Makes Sense?

SK1 Programme 2004

Conference on Research and Development in Art and Design
26th – 28th October 2004

Sensuous Knowledge 1/2004: Creating a Tradition

For at least 20 years we have now been discussing what artistic research and development (R&D) might be, and how much or how little it may resemble traditional research. Many conferences with titles like “What is artistic R&D?” have been held, often leaving the impression of not getting much closer to an answer. Yet all [...]