Sensuous Knowledge 3: Preliminary list of accepted presentations – 29.06.06.
A Radical Witness
Jill Gibbon
Research Student, Wimbledon School of Art
(Visual art/theory)
What makes research? Writing as a possibility in art and design research
Johanna Pentikäinen
Post-doc Researcher, School of Visual Culture, University of Art and Design, Helsinki
Sticky Praxis: A phenomenological approach to technology as the ‘glue’ between landscape experiences and visual representation
Bren Unwin
PhD student, University of Hertfordshire
Fine Art (Painting/printmaking)
Transformation of Baumgarten’s aesthetics into a tool for analysing works, for the process of formation, and for the creation of forms – a methodological study
Bente Dahl Thomsen
Associate Professor, Dept of Architecture and Design, Aalborg University
Tine Munk, Artist, Aalborg
Public Spaces/Public Bodies – Staged Spaces/Staged Bodies
Karen Kipphoff
Professor, Dept. of Fine Art, KHiB
www.snafu.de/~kakidami
www.bek.no/~kk
Rehearsal considered as a research process – the case of an international opera project
Niels Windfeld Lund
Professor , Documentation Studies, University of Tromsø
An illustration of how research can generate research: examining the progression of ideas and concepts used throughout a series of related research projects.
Paul Thirkell
Senior Research Fellow, Centre for Fine Print Research, University of the West of England
To create a space for research (Att skapa ett rum för forskning)
Cecilia Lagerström
Researcher, Høgskolan for scen och musik, Göteborg Universitety
(Theatre)
Fine Art & Medicine
Christine Borland
Artist, Academic Researcher, Studio 55, Glasgow School of Art
Experimental design discourse- the dual nature of design methods
Lars Hallnäs
Professor, Composer,
The Swedish School of Textiles, University College of Borås and Interactive Institute, Chalmers University of Technology
Practice based research in art and media
PRAMnet by some of the following:
Jørgen Callesen, Michael Johansson, Katrine Nilsen, Jette Lund
Inpassing: street, fashion and creation of meaning in public space
I Förbigåande: gatan, mode och skapande av mening i det offentliga rummet
Kajsa G Eriksson
PhD student, The Swedish School of Textiles, University College of Borås
(Fashion design)
Questioning the incomplete – Visual art as part in collaborations
Sissel Lillebostad
Assistant Professor Bergen National Academy of the Arts
(Dept. of Spesialised Art)
Long-term photographic observation of urban development 2005-2020
Meret Wandeler
Dozentin, Hochschule für Gestaltung und Kunst, Zürich
Dance Lecture – Performance
Carolien Hermans
PhD student , Amsterdam School for the Arts
What if we believe in art?
John Hyatt
Director MIRIAD, Manchester Metropolitan University
(Fine art)
Late medieval plainsong performance practice traced in local and contemporary sources: towards a present-day performance strategy
Hendrik van den Abeele
PhD student Faculty of Arts, Leiden University
One Street in Berlin Developing a new ethnographical-sensual method
Alex Arteaga
Sound Artist, Assistant Lecturer, Studio of Music and Sound Art, University of the Arts, Berlin
An Investigation of the Application of Textile Techniques to Metals
Norman Cherry
Head of School of Jewellery, University of Central England in Birmingham
Performing Landscape
Annette Arlander
Professor, Theatre Adademy, Finland
Writing/Art: new Challenges and Possibilities for Art Research
Katy Macleod
Senior Lecturer, University of Plymouth
